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Rachael Guynn Wilson is the author of The Karen Horney Progressions (The Diagram / New Michigan Press, 2026), editor of 16 Poems for Philip Guston by Clark Coolidge (Container Corps, 2022) and co-editor of Executive OrdersÌý(punctum books, 2025).ÌýHer critical and poetic work has appeared inÌýA propósito de nada / Apropos of Nothing (Aeromoto + Wendy’s Subway), apricota (Secretary Press), The Baffler, BathHouse Journal, Brooklyn Rail, Chicago Review, The Distance Plan, Evening Will Come (The Volta), Hyperallergic, Jacket2, Kenyon Review Online, Matters of Feminist Practice (Belladonna* Series), Ritual and Capital (Bard + Wendy’s Subway), and elsewhere. She is a co-founder of the Organism for Poetic Research, a member of Belladonna* Collaborative, and an editor-at-large at Litmus Press. She holds a Ph.D. in English from New York University and teaches at Ä¢¹½´«Ã½ in the First- and Fifth-Year Architecture Writing Programs.

She previously taught at New York University in the Department of English (2015-17) and the Department of Media, Culture, and Communication (2015-18) and at the School of Visual Arts in the Department of Humanities & Sciences (2017-22) and the Visual and Critical Studies Program (2019-21). She has experience teaching undergraduate and graduate English-language learners through her teaching in “Speaking Freely,” a non-credit ELL conversation program at NYU (2014-15) and through her work as a Writing Tutor in the SVA Writing Center (2017-20). In 2024 she served as a mentor for the Center for Book Arts’ Small Press Incubator program. Her research interests are in modern and contemporary poetry, avant-garde arts and poetics, intermedia collaboration, minor literatures and microhistories.

PhD, 2016, English, New York University

MA, 2012, English, New York University

BA, 2004, History, Oregon State University

Ìý(DIAGRAM/New Michigan Press, 2026)

(Tripwire 23, 2026)

(punctum books, 2025)

(Center for Book Arts lecture, Oct. 31, 2024)

(Container Corps, 2022)

(Belladonna* Series, 2020)

(Chicago Review, 2021)

(Victorian Literature and Culture, 2019)

(Kenyon Review Online, 2018)

(Textual Practice, 2018)

(Most Perfect World, 2015)

(Jacket2, 2015)